Skip to main content

Exploring Auxiliary Mediums for "Academic" Writing

If I aim to promote digital auxiliary spaces for academic writing as a viable medium for college composition coursework, I better have a firm experiential grasp on the concept.

Basically, auxiliary or supplemental spaces are mediums for academic writing that aren't written in audience-vacuums. Audience-vacuums consist of writing assignments (by student-writers) consciously designed with the teacher in mind as sole reader/evaluator. That is, a student might be asked to "imagine" that they are writing for their peers or their parents or their congress-spokesperson, or some other demographic related to the content of their assignment but in the end the only person reading it--usually for assessment purposes--is their instructor.  While in some cases composition teachers promote peer-review to vaguely simulate a reading audience, their tactless design of the process deludes the experience and encourages students to tailor their peerreview-assessments according to a naively contrived "teacherly ideal" thus reinforcing the audience-vacuum status quo. As a result, students' academic writing often reads like it was processed by a thesaurus, like so:

Calvin and Hobbes: Homicidal Psycho Jungle Cat By Bill Watterson

This example of hifalutin jargon resembles the work students think teachers want to read. It's funny; funny because it's "false". False and ironic! Ironic because effective writing instructors frequently emphasize the value of strong ideas & reasoning over lexical pomposity or polished syntax & grammar. Sadly, this emphasis on rhetorical strength & clarity barely shakes the pervasive misnomer that academic writing is about the tedium of grammar.

Next time you get the chance, ask an English teacher: "What kind of responses do you get when you tell people that you teach English?" Undoubtedly, the teacher will sigh and tell you a dozen stories of people brazenly remarking: "Oh, you're an English teacher? I guess I better watch my grammar around you." The unwitting person believes they've said something wholly original but in actuality they've only betrayed their naivety.

Meanwhile, most teachers often assign the type of writing that doesn't provide discursive engagement.  Or, if it does, it's one-sided and corresponds with the teacher exclusively. Unlike the traditionally constrained medium of academic writing, online mediums--like this one--provide the potential for student-writers to contemplate their readerly audience and ideally to interact with them.

Now enjoy this bad-grammer pastiche of youtube comments:
Because nothing says "grammar doesn't matter" than making fun of bad grammar! 

Comments

Popular posts from this blog

2016 Top-10 TBR...

It’s a well-known fact among readers that personal to-be-read (tbr) stacks only oblige addition, often exponentially, by the veritable property of “I must read this” plus “this, this, and this” and “oh, yeah, this one too”, ad infinitum. One only need glance at the “to-read” portion of any active Goodreads account to see the exhaustive, unremitting lists of fascinating titles readerly folks load on themselves. Each year, tbrs all over the world grow at rates undeniably faster than people have time to catch up on their backlogs. Whether it’s the chase of fresh hype in Adam Johnson’s Fortune Smiles or Yanagihara’s A Little Life , the desire to travel back in time with Robert Graves’s I, Claudius or Marguerite Yourcenar’s Memoirs of Hadrain , the desperate need to finish a beloved author’s oeuvre—Toni Morrison and David Foster Wallace still beckon from the shelves, the completionist’s impulse to conquer a tome like Don Quixote or William Gaddis’s JR , the curious compulsion to find ...

Alex Gibney’s Going Clear: Scientology and the Prison of Belief

If you had a vague but unverified sense that Scientology was a bit odd, unhinged, or unearthly; just wait till you hear about “Operating Thetans” (OTs), the intergalactic dictator Xenu and how the Earth is a slave planet for humans who were brought here billions of years ago while cryogenically frozen, dropped into volcanoes, and blown up with hydrogen bombs. And don’t even ask about O-T-T-R-Zero & “exteriorization” during auditing! I might be getting some of my “ theology ” wrong here but then again, that’s why you’ll want to see Alex Gibney’s newest documentary, Going Clear: Scientology and the Prison of Belief . Based off Pulitzer Prize winning author Lawrence Wright’s newest non-fiction, Going Clear: Scientology, Hollywood & the Prison of Belief , Gibney’s adaptation seems determined to include as much of the book’s content as possible, which, makes for a superbly in-depth, re-watchable experience (not unlike his other first-rate documentaries: Enron , Mea Maxima Cul...

Jesse Moss's The Overnighters

The Overnighters  by Jesse Moss Special Jury Prize --Sundance; 102 minutes Follow Director Jesse Moss with his handheld camera into the provincial town of Williston, North Dakota --population: roughly 20,000; only an hour drive from the Canadian border where winter-nights can drop 20 degrees below freezing. Enter the small, unassuming Concordia Lutheran Church --one of at least five in the state. Meet Pastor Jay Reinke--a plucky middle-aged husband & father with questionable prudence and an undeniable bounty of spiritual generosity toward the downtrodden. Or, at least toward most of them. In broad strokes, The Overnighters tells the story of one religious man’s attempt to serve the housing needs of homeless migrant workers in his small town. In many ways, Moss’s documentary tells a simple story that evenhandedly pits Pastor Reinke and his Overnighters project against the disgruntled congregation, his irritated neighbors, the city council, and at least one intrepid local...